Goodwin began by sketching out Jones’ brow bone with a cream shadow, using an angled brush and extending out past the end of the brow to give a loose shape. She skipped a brow-defining look to focus more on the dramatic eyeshadow effect.

To emphasize the crease of the eye, Goodwin used a tapered eyeshadow brush to apply the darkest gray shadow from the Chanel Mystere Quadra Eyeshadow palette, buffing the pigment up toward the brow bone to create depth. She then relied on her fingertip to soften and flesh out the color, giving the shadow a hint of lived-in imperfection.

To keep the lid and brow clean, Goodwin used a cream-colored eyeliner to sketch out the eyelid and the region directly under the eyebrow. The warmth from her fingertips allowed Goodwin to press the color onto the eye and smudge it ever so slightly out into the gray eyeshadow.

Goodwin begins by following the upper lash line and placing a dot between the outermost corner of her lash line and the end of her brow (this creates an end point for the flick). Using a small angled brush dipped in cream eyeliner, begin drawing along the upper lash line, ensuring the line is thicker toward the outer edge. Rim the lower lash line with pigment, keeping the line a little thinner and without connecting the top and bottom lines. Goodwin applied the cream-colored pencil in the sliver of space between the upper and lower lash lines, pressing the pigment in with her finger again to give the eye a modern edge.

Ample coats of mascara on both the upper and lower lashes complete Goodwin’s ’60s-inspired bombshell eye look.

To keep the eyes as the focal point of the overall look, Goodwin applied a light layer of concealer to cover up any redness and even out Jones’ skin tone. She skipped blush altogether and finished the look with a swipe of pink lipstick.